Hamlet
Act IV Summary
Swounds! We enter the final two Acts. Everyone gets to get revenge on someone who wronged them...except the most wronged character of all. Who is s/he?
Act I, Scene i
Claudius,
Gertrude, Rosencrantz, Guildenstern all meet to discuss what just happened
between Hamlet and his mother. She says he’s mad as a hatter because he's just killed
Polonius. Claudius questions what should be done with Hamlet, as his freedom
puts them all in jeopardy. The king asks where Hamlet is, and Gertrude says he’s
gone to bury the body and he is very sorry for what he did. Claudius calls Rosencrantz and Gildenstern to go see about Hamlet and bring the body of Polonius to the chapel.
Scene ii
Actors Gary Oldman and Tim Roth as Rosencrantz and Guildenstern Are Dead.
Rosencrantz and Guildenstern go to Hamlet to find out what he’s done with the body. Hamlet has hidden it,
and calls them “sponges,” soaking up favors from Claudius. They don’t understand
the reference.
Scene iii
Claudius
asks for Hamlet, Hamlet arrives with Rosencrantz and Gildenstern. When Claudius asks his nephew
where the body is, Hamlet commences making morbid jokes about the ‘cycle of
life’:
“Not where he eats, but where he is eaten: a certain
convocation of politic worms are e'en at him. Your
worm is your only emperor for diet: we fat all
creatures else to fat us, and we fat ourselves for
maggots: your fat king and your lean beggar is but
variable service, two dishes, but to one table:
that's the end.”
convocation of politic worms are e'en at him. Your
worm is your only emperor for diet: we fat all
creatures else to fat us, and we fat ourselves for
maggots: your fat king and your lean beggar is but
variable service, two dishes, but to one table:
that's the end.”
When
asked what he means, Hamlet replies,
Effectively,
Hamlet called Polonius a piece of poopie: a man is eaten by worms, a fish eats the worm, a
man eats the fish, and on like that. Yuck.
Finally,
Claudius asks again and Hamlet says, “You shall nose him as you go up the
stairs into the lobby.”
The
king and queen then tell Hamlet of their plans to send him to England;
Claudius, when alone, admits that he plans to have Hamlet killed when he gets
to England.
*Note: A cicatrice
(cicatrix) is new flesh that forms over a wound.
Scene iv
Hamlet
encounters Prince Fortinbras with his captains and army and inquires what’s
going on. The Captain tells him that they are to attack ‘some part of Poland,’
and that Fortinbras is leading the way. The captain tells him that they are
about to attack ‘a little patch of ground’ that’s hardly worth the bother.
Hamlet thinks to himself that if Fortinbras can enlist so many men to reclaim
such a petty chunk of turf, then he should go on with his plan to avenge his
father.
Scene v
Gertrude,
“a gentleman,” and Horatio are in Elsinore Castle. Gertrude refuses to speak
with Ophelia, who is going around muttering nonsense and in a strange, faraway sort of manner, while others try to humor
her. She has been driven mad, no doubt, by Hamlet’s treatment of her, compounded
by her father’s sudden death. Exit Ophelia, enter her brother, Laertes, who
demands to know what happened to his father. King and Queen are quick to defend
themselves. Laertes spots Ophelia, who comes in, still singing little nonsense
songs. Then she begins pulling invisible stems:
“There’s rosemary, that’s for remembrance; pray,
“There’s rosemary, that’s for remembrance; pray,
Love,
remember: and there is pansies, that’s for thoughts.
There’s
fennel for you, and columbines: there’s rue
For you;
and here’s some for me: we may call it
Herb-grace
o’ Sundays: O you must wear your rue with
A difference.
There’s a daisy: I would give you
Some violets,
but they withered all when my father
Died:
they say he made a good end, --
*
She directs these lines to Claudius, offering him ‘herb grace o’ Sundays’ for
his repentance; the daisies are for unhappy love; violets for faith.
She
sings a song about virginity that raises curiosity about whether Hamlet
deflowered her or no:
By Gis and by Saint Charity,
Alack, and fie for shame!
Young men will do't, if they come to't;
By cock, they are to blame.
Quoth she, before you tumbled me,
You promised me to wed.
So would I ha' done, by yonder sun,
An thou hadst not come to my bed.
Alack, and fie for shame!
Young men will do't, if they come to't;
By cock, they are to blame.
Quoth she, before you tumbled me,
You promised me to wed.
So would I ha' done, by yonder sun,
An thou hadst not come to my bed.
Claudius
encourages Laertes’ demands for revenge.
Below are two versions of Ophelia's "Mad Scene." Take note of the differences--how would you describe the manner in which each interprets madness? First is a scene from Hamlet set in the 20th century, Claudius is played by Sir Patrick Stewart; Ophelia is played by Mariah Gale.
In Mel Gibson's production of Hamlet, Ophelia is just as expertly interpreted by Helena Bonham Carter.
Scene vi
Another room in the castle
Horatio receives a letter from Hamlet who has been taken prisoner by pirates.
Act IV, Scene vii
Claudius
finds out that Hamlet is alive and well and on his way home. He heaps flattery
onto Laertes, hoping to shift suspicion onto Polonius’s son. A plan is hatched
that Laertes will have a chance to avenge his father’s death by participating
in a duel with Hamlet. Claudius believes it would be easy to convince Hamlet to
fence with Laertes. They believe that Hamlet is gullible enough not to examine
the swords being used, so Laertes can choose one with a sharp blade (according
to sources, the Elizabethans reserved blunted swords for friendly duels). This
way Laertes can kill Hamlet. Just for extra measure, Laertes plans to dip the
business end of the sword into a poisonous ointment that will finish Hamlet off
for sure. As a third option, Claudius may well just poison Hamlet’s drink.
Enter Gertrude with bad news: Ophelia has drowned.
Act V, Scene I, the Palace
Graveyard
The talk
among the gravediggers is suicide, since poor Ophelia has done herself in.
Since suicide was considered a sin against God, those guilty of the offense do
not receive a Christian burial—but since Ophelia is in with the royal crowd,
things are different for her.
Hamlet
and Horatio approach, and Hamlet begins to remark on the skulls that the
gravedigger has thrown to the top of the grave. The conversation turns to our
fates in death: how we and our material belongings end up dust. The gravedigger
tells his companion that Hamlet has lost his mind since he was sent to England—where
everyone is also mad as a hatter. The grave digger and the prince talk awhile
about how long it takes a body to decay until the grave digger hands him the
skull of Yorick, the king’s jester from 23 years ago.
Then the
famous speech that begins, “Alas, poor Yorick! I knew him, Horatio…”
Hamlet
and Horatio spot a procession with the king and queen and Laertes. Hamlet asks
the priest who is being buried, the priest tells him it is a suicide:
Her obsequies have been as far enlarged
As we have warrantise: her death was doubtful;
And, but that great command o'ersways the order,
She should in ground unsanctified have lodged
Till the last trumpet: for charitable prayers,
Shards, flints and pebbles should be thrown on her;
Yet here she is allow'd her virgin crants,
Her maiden strewments and the bringing home
Of bell and burial.
As we have warrantise: her death was doubtful;
And, but that great command o'ersways the order,
She should in ground unsanctified have lodged
Till the last trumpet: for charitable prayers,
Shards, flints and pebbles should be thrown on her;
Yet here she is allow'd her virgin crants,
Her maiden strewments and the bringing home
Of bell and burial.
So, apparently, because she killed herself, her body should be flung somewhere and pelted with
stones.
Then
Laertes and Hamlet scramble (in her grave) over who loved her more.
Act V Scene ii
Hamlet
discloses to Horatio that while asea headed to England he got hold of the
letters between Claudius and Rosencrantz and Guildenstern about having him
killed. Since he (conveniently) had his uncle’s signet, he altered the letter
so that it read R and G were to be killed and sent the letter on its way.
Enter
Osric, who tells Hamlet that the king has placed a bet on him in a duel. Will
he concede? Yep. The king has bet three fine horses, three fine swords, and
three fine carriages to see the fine duel. Let’s go.
All the
court appears for the duel, including the King with the poisoned beverage for
Hamlet. As the duel commences, Hamlet makes a long apology to Laertes, and
declares that “madness is poor Hamlet’s enemy.” The devil made him do it. Surprisingly,
Hamlet inquires about the length of the foils. The king offers Hamlet a drink
of wine while he duels, but he says ‘no.’ Then the queen offers him her
handkerchief to wipe his brow; then SHE drinks the poisoned wine!
Laertes
wounds Hamlet, and in a scuffle, they swap swords. Meanwhile, Gertrude falls
over. Laertes tells Hamlet that his sword is poisoned and Hamlet’s going to
die. Meanwhile, Hamlet stabs Claudius. They all shout “Treason!” and Hamlet
forces Claudius to drink the rest of the poison. Hamlet lets fly a few parting
words and dies. Horatio utters the famous line:
“Now
cracks a noble heart. Good night sweet prince:
And
flights of angels sing the to thy rest!”
Finally,
Rosencrantz and Guildenstern are dead.
No comments:
Post a Comment